You could also try auction sites for a bargain.įor those impromptu moments when you are seized by the urge to fold, or when someone suddenly requests you fold that amazing model you made last week, other papers are also suitable for folding. Online: Entering origami paper into a search engine will bring up many online retailers. To find the society local to you, simply type origami and your country or city name into an online search engine. Origami societies: Most cities have an organized origami society that will sell origami paper (and books and more). Stores: Try arts and crafts stores, toy stores, Japanese and East Asian stores, stationary stores, and office supply stores. Origami paper can be bought from a number of sources: Thus, the color change is often functional rather than merely decorative. The difference in color between the two sides is often used to improve the recognition of a model-for example, by creating color-change eyes-rather than being used to prettify a model. Origami paper is square paper, colored on one side and white on the other, a little thinner than common copier paper. The absolute best paper to use for most of the toys in this book is specialist origami paper. They will help you enjoy your folding and ensure your success. Instead of trying to fold the most complicated models in the book without perhaps knowing the difference between a valley fold and a mountain fold, you should read carefully through these pages. If you are new to origami, or if it has been some years since you picked up an origami book, please read this section. For that, I am grateful to have had the opportunity to write this book. It has been a most pleasurable assignment to review, edit, redraw, and write about three decades of themed design work, reopening old origami documents and magazines, reviewing drawings on yellowing paper from times past, and reminiscing about treasured origami friendships, some with people no longer with me. The designs that follow are a selection of my favorite origami toys. I thank them for their inspiration and for the joy their work has given me. In today’s origami world, where mathematical complexity and representational details rule, these simple, charming toys can easily be dismissed as naïve, but this is to misunderstand them. Both these creators have designed origami toys of supreme originality and elegance. My origami toy heroes are Bob Neale (USA) and Seiryo Takekawa (Japan). The key word to describe my favorite pieces is elegance. When I had the balance right, I would know it. These variations were always in search of an apparently effortless merging between a mechanism that operated to its optimum efficiency, the aesthetic appearance of the completed model, and a fluent, concise folding sequence. Some of my toys were folded into endless variations before I decided that one variation-and only one-was somehow the best, the most perfect realization of an imperfect idea. However, behind this apparent obviousness often lies a great deal of work. The best origami toys, then, have an inherent directness and clarity-they seem somehow pure or obvious, to have been discovered in the paper, not contrived from it. With noninteractive models, the concept and the folding sequence are almost always compromised to achieve a degree of representation or realism, but when a model is designed to move, these cannot be compromised or the mechanism will not function well. This is because to be considered a success, the mechanism must function well, and this functionality is the result of a design that is refined in both its concept and its folding sequence. The very first model I designed was a toy (the Flapping Bird 1), and ever since then, my greatest satisfaction in origami has come from designing interactive toys that flap, jump, fly, spin, swim, bang, tumble, turn inside out, peck, snap, rock, and talk.įor me, a successful toy is the most satisfying form of creative origami. A successful origami toy is an appealing combination of good design and innocent delight.
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